Showing posts with label macro photography. Show all posts
Showing posts with label macro photography. Show all posts

Friday, December 9, 2016

Bottlebrush Abstract

Bottlebrush, © 2016 Sheryl Karas


Another Bottlebrush macro, this time layered with paint splatters to approximate the intention I had when I took the photograph. I was attracted to the blur of white anthers contrasted with the red filaments of the flower and wanted to emphasize that instead of the plant itself.

Prints and prints on canvas, etc. are available on Fine Art America.

Tuesday, November 29, 2016

Succulents in the Mist, Digital Art Photography


Succulents in the Mist, © 2015 Sheryl Karas

Tiny Echeveria at the UCSC Arboretum caught my eye because I just loved the fleshy flower shapes. The actual flowers were blood red but I wanted to draw attention to the forms while while playing with multiple layers in Photoshop.

Framed and unframed prints and prints on canvas or metal are available.


Sunday, November 27, 2016

Macro Grass Shadows 4, Macro Abstract Photography

Macro Grass Shadows 4, © 2015 Sheryl Karas
Another from the same photo shoot: wild grass blowing in the wind, shot with a macro lens without a tripod, color shifted in Photoshop to emphasize the abstract effect.

Framed and unframed prints and prints on canvas, metal or other items are available through Fine Art America.


Macro Grass Shadows 3, Macro Abstract Photography

Macro Grass Shadows 3, © 2015 Sheryl Karas
From the same photo shoot as my previous post. Again, this is dead wild desert grass, shot with a macro lens without a tripod on a windy day. The color, of course, was tweaked to emphasize the abstract nature of the photo that appealed to me.

Framed and unframed prints and prints on canvas, metal and other items are available on Fine Art America.


Macro Grass Shadows, Macro Digital Art Photography

Macro Grass Shadows, © 2015 Sheryl Karas
Living in the Arizona high desert stretched me as an artist in many ways. There wasn't much there, at first, that I thought could hold my attention. But then, because there wasn't a lot of vegetation, what vegetation there was became extremely interesting. I brought my macro lens out one windy day without a tripod and did a whole photo shoot just of the grass whipping around in the wind.

This is a single exposure, just as it came from the camera, with the colors shifted in Photoshop to emphasize the abstract nature of what I saw in it.

Framed and unframed prints and prints on canvas or metal as well as other products are available on Fine Art America.